Opportunities for instrumental study abound at FSPA, with studio instruction available on piano, drums, bass, guitar, woodwinds, strings, and brass for children and adults. Small ensemble coaching, theory, and ear training classes round out our extensive music program.
The FSPA Music Department offers private lessons in all instruments. A student may begin private lessons at any time during the year, given teacher availability. Music Department Student Recitals are scheduled throughout the year. Written evaluations are issued at the end of the school year. Make-up policies can be found in the Class Schedule. Ear Training and/or Theory Classes are recommended to supplement private music instruction, especially for those with serious aspirations in music. Private instrumental lessons are scheduled according to the date of registration. Registration is ongoing throughout the year.
Introduction to Theory, Composition and Improvisation
Music theory provides the tools necessary to unlock create freedom in composition and improvisation and produces quicker learners, better sight-readers and smarter, more sensitive musicians. Students explore the parameters of music composition in hands-on way through group activities and self-directed projects. In addition to learning the rudiments of scales, chords, basic progressions and simple counterpoint, students also gain experience with computer notation programs and recording software. A formal recital of student compositions will be presented. Students must have prior note-reading instruction.
Piano, Four Hands
Piano is often a lonely undertaking, but there is a great deal of repertoire written for two people to play together on one piano! This course is designed for piano students with at least one year of lessons. Students will be assigned a partner with whom to learn a piece and will have the opportunity to play in every class. Students will be coached on how to tackle the repertoire and how to develop the skills to work on music collaboratively.
FSPA “Jazz Krewe” Instrumental Ensemble
Under the direction of FSPA Music Faculty members Arnie Krakowsky and Kenny Hadley, and with special guest musicians throughout the year, “Jazz Krewe” meets on a weekly basis and explores all genres of music, including jazz, R&B, rock, blues, funk and pop. For students of all ages and any instruments, it is a great opportunity for musicians to supplement their instrumental studies.
FSPA “Groovemasters” Percussion Ensemble
Under the direction of FSPA Music Faculty member, Kenny Hadley, the FSPA Percussion Ensemble meets on a weekly basis and exposes students to the rudiments of Latin drumming techniques, ensemble and orchestral playing and solo and ensemble work. The FSPA "Groovemasters" Percussion Ensemble performs in FSPA’s annual Spring Concert. Acceptance into this ensemble is by invitation only.
Small Ensemble Coaching
A weekly coaching class designed to give instrumental students experience in playing with others, small groups are coached by experienced musical professionals in various aspects of ensemble playing including blending, staying together, part preparation, rehearsal technique and musical interpretation. Ensemble groups may perform throughout the year.
Ear training is a course designed for students ages 12 and older that strengthens the ability to hear sounds intelligently, through oral in-class performance and written dictation. An indispensable course for vocal and instrumental students, classes cover melodic/harmonic interval recognition, chord progression analysis, solfege, clef reading, sight singing and more. A basic ability to read music is a helpful prerequisite.
Piano students learn how to read lead sheets and chord symbols to play ragtime, blues, funk, soul, R & B, rock and jazz.
Instructor of Piano
Kitty Cheung-Evans holds a master’s degree in Piano Performance from Longy School of Music and a bachelor’s degree from the University of Lethbridge. She joined the FSPA Music Faculty in 2007 and also teaches throughout central Massachusetts. Kitty volunteers her time at the Boys’ and Girls’ Club in Leominster, where she lectured on music appreciation and the connection between music, art, society and history in conjunction with the Fitchburg Art Museum. She is an active freelance solo pianist and has collaborated with instrumentalists, musical theater performers and choirs. Kitty’s love of extended piano techniques includes improvisations, prepared piano and various electronics music, which has led her to become a frequent participant at the LongyLab since 2012.
Instructor of BrassGrant Davis received a Master of Music Degree in Trumpet Performance (Hartt School of Music) and a Bachelor of Science Degree in Music Education (Ohio University). He comes to FSPA with extensive private instruction and performance experience throughout Midwest and Northeast. Grant joined the FSPA Music Faculty in 2017.
Instructor of Piano
Bryan Eyberg is a pianist, piano instructor and composer from Boston, Massachusetts. He holds a master's degree in Piano Performance from the University of Michigan School of Music, Theater and Dance. Bryan has studied piano with Dr. Robert Larsen at Simpson College, Anton Nel at the University of Michigan, and Doug Buys at the New England Conservatory. He has also studied vocal accompanying with Martin Katz and composition with Bright Sheng. He has performed in recital throughout the midwest and in New England, and has been teaching at FSPA since 2004.
Instructor of Violin
Irina Fainkichen studied at the Rachmaninoff Music College and Leningrad State Conservatory in Russia and at the Rubin Academy of Music and Dance in Israel. She is a busy freelance violinist in the Greater Boston area. She was concertmaster of San Francisco’s Russian Chamber Orchestra for many years, appearing as soloist numerous times. Currently, Irina is a member of the Cape Cod Symphony Orchestra, assistant concertmaster of the Brockton Symphony Orchestra, and a co-founder of “Flying Hearts” duo, which performs in a number of musical genres including Jazz, Klezmer and classic American tunes. Irina joined the FSPA Music Faculty in 2009.
Instructor of Piano and Theory
Prior to her degree programs, Ms. Guibas was a graduate of the Mannes Preparatory Division program in New York City, studying primarily with Prof. Alexandra Eames and attending Chamber Music studies with Prof. Marcia Eckert. Ms. Guibas holds a Masters Degree in Piano Performance from the Longy School of Music of Bard College, studying with the late Ludmilla Lifson between the years 2008-2013. A large part of her studies involved a long-standing chamber music relationship with her good friend and colleague René Minalga-Rheault. The two performed duo piano and piano four hands between the years of 2009-2013. While attending school, she was awarded the Victor Rosenbaum name scholarship and upon graduation in May 2013, she was awarded the Mary Ellis Smith Award in recognition of outstanding achievement in the study of piano and the art of piano pedagogy. Since graduation, she has been a student of Prof. Thomas Stumpf of Tufts University. Ms. Guibas has performed and taught piano throughout the Boston and New York areas at such venues as the Harvard Music Association in Boston and Hunneman Hall in Brookline. She is currently serving as the recital chair for the 20th/21st Century New England Piano Teacher's Association (or NEPTA) and she is also serving on its Board of Directors. Ms Guibas joined the FSPA Music Faculty in 2014.
Instructor of Drums, Director of Saturday Sessions and FSPA Percussion Ensemble
Kenny Hadley joined the FSPA Music Faculty in 1998 and has extensive teaching experience, including master classes and clinics throughout New England. He has played throughout the US, Europe and South America and has worked with many well-known musicians including Van Morrison, Dizzy Gillespie, The Count Basie Orchestra, Peter Wolf, The Drifters and Rebecca Parris, as well as with the North Shore Music Theater, Franklin Performing Arts Company and Electric Youth
. He serves as orchestra contractor for the Franklin Performing Arts Company and has co-produced The Sacred Music of Duke Ellington, ‘Tis the Season!
and the CD recordings of Electric Youth
. His acclaimed Kenny Hadley Big Band has shared the stage with the Count Basie Orchestra, Dizzy Gillespie’s Band, and the Duke Ellington Orchestra and has hosted guest soloists including Clark Terry and Louie Bellson. The band’s recordings include Come Sunday, A Beautiful Friendship
and Common Thread
Instructor of Guitar/Bass Guitar
Matt Macaulay is an American professional Jazz guitarist and singer-songwriter. He has been teaching music to students of all ages, privately and in groups, since 1997. After graduating from William Paterson University with a Bachelors Degree in Jazz Performance , Matt spent 10 years in New York City working as a freelance musician and operating the Macaulay Guitar Studio. Matt has been associated with several teaching studios as well as private, public and international schools. With a comprehensive background in Jazz, Classical and Rock guitar as well as electric bass, piano, arranging and voice, Matt is uniquely qualified to teach students of all ages and levels. As a guitarist, Matt has performed extensively around the East Coast of the United States and has also released three albums of original songs under his own name.
FSPA Assistant Director, Director of Little Music School and Children's Music
Kim Rezendes graduated magna cum laude from Providence College with a Bachelor of Arts in Music and from Rhode Island College with a master’s degree in Teaching Music. As coordinator of Children’s Music at FSPA, she also serves as Program Director for the Little Music School and Instructor of Musical Theater. Kim serves as Associate Organist and Cantor at St. Mary Church in Franklin. One of FSPA’s first students, Kim joined the FSPA faculty in 1997.
Instructor of Piano
Ida Zelman has a bachelor’s degree from the Music Conservatory in Vilnius, Lithuania, where her studies included piano performance and music education, specializing in classical and contemporary music. Ida has extensive coaching experience in chamber music ensemble playing and accompanying. She successfully prepares many of her students for the Royal Conservatory Music Development Program. Ida joined FSPA’s Music Faculty in 1993.